I am an Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy), where I direct the Expressive Computation Lab. Lecturer. 0000057383 00000 n dyoung@ucsb.edu, Jennifer Scalzo Professor Assistant Professor (Computational Craft and Haptic Media) Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional . New interface technologies become new tools for musical and artistic expression. She is also affiliated with UCSB's Center for Responsible Machine Learning (CRML). of Chicago Press). More broadly, she examines how to enable art and design professionals to leverage their domain expertise to develop personal software tools. Assistant Professor of Media Arts and Technology. 0000001180 00000 n 0000003473 00000 n %PDF-1.4 % 1,650 posts. Santa Barbara, CA 93106. Dr. Visell is a faculty member at UC Santa Barbara, in the Media Arts and Technology Program, Electrical and Computer Engineering Department, and Mechanical Engineering Department (by courtesy). Supporting Expressive Procedural Art Creation through Direct Manipulation. Jennifer Jacobs - Google Scholar Jennifer Jacobs and Leah Buechley Codeable Objects: Computational Design and Digital Fabrication for Novice Programmers. Prior to joining UCSB, Jennifer received her Ph.D. from the Massachusetts Institute of Technology and was a Postdoctoral Fellow at the Brown Institute of Media Innovation within the Department of Computer Science at Stanford University. Jacobs received a BA in English Language and Literature from Iowa State University in 1993. Work His collection of electronic music compositions POINT LINE CLOUD won the Award of Distinction at the 2002 Ars Electronica in Linz and was released as a CD + DVD on the Asphodel label in 2005. Jennifer Jacobs. 0000005031 00000 n Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. Peljhan has also been the flight director of ten parabolic experimental flights in collaboration with the Microgravity Interdisciplinary Research initiative and the Yuri Gagarin Cosmonaut Training Centre, creating conditions for artists to work in alternating gravity conditions. Dr. Cabrera's current research in interactive distributed computation is directed towards tackling the diverse complex issues around computational workflows in scientific research through the merging of human-computer interaction, literate programming, and multimedia display. Make Your Health A Priority This New Year with "Job 1," The New Fitness During 2002-2007 he was a member of the Board of Directors of the Electronic Literature Organization (ELO) and chair of the Technology/Software Committee of the ELOs PAD Initiative (Preservation / Archiving / Dissemination of Electronic Literature). Tim Dewar Office: ED 3232, Single-Subject (SST, Secondary) Since then, Jennifer had been continuing to work on her "JMETHOD" brand, as well as teaching classes through "Ladder Teams" platform . People | Four Eyes Lab - UC Santa Barbara Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. Media Arts and Technology, University of California Santa Barbara, United States, Andrs Monroy-Hernndez. Jennifer Jacobs, Joel Brandt, Radomir Mech, and Mitchel Resnick. Jacobs received her Ph.D. from the Massachusetts Institute of . In this email, Birchim explains how many students are "finding themselves without options" for The Allosphere, a unique instrument for interactive real-time scientific visualization, has been used in scientific collaborations across scales from the atomic, through the nano to the biological. Computers are becoming more ubiquitous, appearing in a proliferation of shapes and sizes. His current major project, which he started in 2005 as a University of California multi-campus, collaborative research group, is Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. We focus on supporting . Our goal is to create human-machine systems that extend the body and the mind, leaving us free to learn, to create, to think and to feel (Clynes and Kline. 0000010120 00000 n Her research and teaching encompass environmental media, the history and theory of electronic media, game studies, science and technology studies, and sound studies. From 2009 on he is the one of the series editors of the Arctic Perspective Cahiers series (Hatje Cantz and API). University of California, Santa Barbara - Cited by 16,662 - visual neuroscience . Faculty-led research groups exploring research areas within computer science and its interdisciplinary applications. At UCSB, she directs the Expressive Computation Lab, which investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Jennifer Jacobs is an Assistant Professor in Media Arts and Technology at the University of Santa Barbara. Email: alumni@alumni.ucsb.edu (805) 893-2957 tel (805) 893-4918 fax. Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara. Metallurgical and Materials Transactions A: Physical Metallurgy and Materials Science. Santa Barbara, California 93106-1120. He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979. Office: ED 3224, Katie Blackwell In line with this vision, ECG builds new computational tools that enable artists, designers, and engineers to integrate core computational affordances with their own knowledge and practices. He has also posited a new "Soft Babylon," a theoretical stance which posits that our digitized architectural palette is causing us to create a wired Situationist city, while we struggle with some of the massive paradigm shifts that our era will and must face. His music includes opera, orchestral compositions, chamber music, electroacoustic music and experimental video. Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. We're sorry but personalwebsite doesn't work properly without JavaScript enabled. She completed a masters of science in the High-Low Tech group and an MFA in Integrated Media Art from Hunter College. 0000004690 00000 n He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. Her current music research is focusing on a general purpose interface for control of digital information through natural performance gesture. All artwork and text on this site are the exclusive copyrighted works ofthe artist or author. The experiments, projects and courses we do and offer contribute to the arts-engineering / scientific community in the following way: 1) Explore new forms of visualizations through implementation of advanced knowledge of visual language, image syntax and semiotics 2) Rapid testing of concepts through visual/spatial/interactive means 3) Address image-based research that are on the fringe of engineering / science research for artistic exploration. BA University of Oregon, Computer Science, Media Arts and Technology. MS, Geography, University of Toronto, Canada Specialization: Software/Network Art, Information Mapping/Visualization. He received the Masters of Architecture at Ohio State university in 1983. The new release (2021) includes support for Open Sound Control. The Laws of Cool: Knowledge Work and the Culture of Information, Local Transcendence: Essays on Postmodern Historicism and the Database, Transcriptions: Literature and the Culture of Information, Literature and the Culture of Information, Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. In 1994, when he started his Voice of the Shuttle Web site for humanities research, he began to study information culture as a way to close the circuit between the literary or historical imagination and the technological imagination. and B.F.A from Hunter College and the University of Oregon respectively. tepapp@education.ucsb.edu Assistant Professor, Media Arts and Technology and Computer Science (by courtesy), The Expressive Computation Lab's objective is to foster the development of expressive computational tools for art, design, and engineering. Connect With UC SANTA BARBARA. His work was exhibited internationally at multiple biennales and festivals (Venice, Gwangju, Brussels, Manifesta, Johannesburg, Istanbul), at the documenta X in Kassel, several ISEA exhibitions, several Ars Electronica presentations and major museums, such as the P.S.1 MOMA, New Museum of Contemporary Art, ICC NTT Tokyo, YCAM Yamaguchi, Van Abbemuseum and others. Organizations from academia, industry, government, and the non-profit sector that collaborate with UChicago CS. She is the recipient of a Brain and Behavior Young Investigator Award, a Robert Wood Johnson Foundation . My research lab investigates . Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. BY Bill Faries, Jennifer Jacobs, and others August 31, 2022 Politics Biden says the U.S. will send an additional $1.3 billion in military and economic aid to Ukraine S lng "Trch dn bi" bao gm trch dn trong cc bi vit sau y trong Scholar. Accessibility Copyright 2023 The Regents of the University of California. Jennifer Jacobs (UCSB) Expressive Computation: Integrating Computation with Manual and Physical Making, Masters Program in Computer Science (MPCS), Masters in Computational Analysis and Public Policy (MSCAPP), Equity, Diversity, and Inclusion (EDI) Committee. Jacobs . Bekijk profielen van professionals die 'Jennifer Jacobs' heten op LinkedIn. Department of Computer Science. 0000003695 00000 n His publications include several articles in journals and a book on 20th century music theory. Legrady's artistic works have been supported by awards from the Creative Capital Foundation, the Daniel Langlois Foundation for the Arts, Science and Technology, the Canada Council for the Arts, the National Endowment for the Arts, and a John Simon Guggenheim Fellowship in Visual Arts in 2016. 0000103163 00000 n This research was sponsored by the National Science Foundation in 2007-2009 and resulted in a Best Paper award at the 2008 International Computer Music Conference. A composer of mixed media works, she received her Ph.D in 1984 from the Eastman School of Music, University of Rochester. Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). She also received an M.F.A. Her recent work focuses on progamming language and runtime support for cloud computing. estabrook@ucsb.edu She joined the UCSB faculty in 2001 after receiving her M.S. Verified. She works across the fields of computational art and design, human computer interaction, and systems engineering. Jennifer is certified by the National Academy of Sports Medicine and is a graduate of UC Irvine and the Yale School of Management's . With over 20 years of research experience in audio and digital signal processing, he was a long time contributor to the Csound language and developed the widely-distributed Csound development environment CsoundQt. Jennifer JACOBS of University of California, Santa Barbara, CA (UCSB) | Contact Jennifer JACOBS As AI decouples intelligence from consciousness, as XR technologies transform perception, and as matter becomes machine manipulable, three key questions about the future arise: 1) what will newer AI-infused experiential interfaces look like where digital bits occupy space and algorithms have faces, 2) what can we learn about human behavior through human-AI interaction and how can AI models learn from human behavior, and 3) how will a shift from data-centric to human-centric AI systems augment our capabilities and enrich our lives? We need to make computers accessible to all people in all situations. They are being embedded into the world around us, and we are carrying (soon wearing) them wherever we go. Santa Barbara CA 93106-9490, 2022 The Regents of the University of California, All rights reserved.Terms of Use Accessibility Non-Discrimination Policy Title IX Feedback Land Acknowledgement, Department of Counseling, Clinical, & School Psychology, Center for School-Based Youth Development, Social Tools and Rules for Teens/Transitions (START) Programs, Parent-Child Interaction Therapy (PCIT) Clinic, The Gevirtz School (GGSE) - UC Santa Barbara, Hosford Counseling & Psychological Services Clinic, CA Teacher Education Research & Improvement Network, International Center for School-Based Youth Development, Dean's Lecture Series on Education, Diversity & Democracy, Harding University Partnership School Community Resource Center, From Ocean & El Colegio Newsletter Archive. The new paradigm of computing, harnessing quantum physics. The lab focuses on computational-based creative explorations in the fields of data visualization, visual language, machine vision, computational photography, interactive digital installations and related directions addressing the impact of computation on visualization. Tobias Hllerer. with your company email address. Undergraduate Diversity Officer. Jennifer Jacobs is a Ph.D. candidate at the MIT Media Lab in the Lifelong Kindergarten Research Group. hb```b``9sAc[XgzIw6DeaXP!jU"3g2Fss4>y~e+sKCLV$*>3-Gy5bw/k U5 She was Chief Scientist of the Program from 1998 to 2003. M. Arch+Certificate of Specialization in CAAD (Computer Aided Architectural Design), Ohio State University, Professor (specialties: Media and Virtual Architecture, Transvergence, TransArchitecture). Hybrid Practice in the Kalahari: Design Collaboration through Digital Tools and Hunter-Gatherer Craft. More broadly, she works on ways to enable art and design professionals to leverage their domain expertise to quickly and effectively develop personal software tools. Jennifer Pharaoh '82 . Facebook; Instagram; LinkedIn; YouTube; In addition to this research, McCray is starting a new pilot project which considers the interaction between scientists, engineers, and artists during the first three decades of the Cold War. Undergraduate Research Fellow, Black Studies & Sociology, 2019-present. A pioneer in the development of granular synthesis (1974), he also developed (with Alberto de Campo) the program PulsarGenerator (2001), distributed by the Center for Research in Electronic Art Technology (CREATE) at UCSB. Her research has been presented at leading human-computer interaction research venues and journals including UIST, DIS, SIGGRAPH, and, most prominently, at the flagship ACM Conference on Human Factors in Computing Systems (CHI), where she received two best paper awards and one best paper honorable mention award in the past four years. Her research has received extensive media coverage from leading media outlets (e.g., from Engadget, UploadVR, MIT Tech Review and Forbes India) and has drawn the attention of industry research, such as Samsung and Unity 3D. 20+ "Jenny Jacobs" profiles | LinkedIn Her work is discussed in numerous books, for example, in "Internet Art" by Rachel Greene and "Digital Art" by Christiane Paul (Thames and Hudson). Jennifer Jacobs. His commission for the Seattle Public Library, "Making Visible the Invisible", begun in 2005 is a permanent installation consisting of algorithms that statistically analyze the flow of books and other media that are checked-out daily from the library to map out how library culture is changing over time. in Computer and Electrical Engineering. Login with your UCSB net ID to manage your events. In 2000 she began the creation, design, and development of a Digital Media Center within the California Nanosystems Institute. He has authored more than 60 scientific articles, and has edited two books on immersive virtual reality. He completed a PhD in Music at the University of New York at Stony Brook. 0000055655 00000 n Among his books are the anthologies Foundations of Computer Music (1985, The MIT Press) and The Music Machine (1989, The MIT Press). Much of her work involves developing and using spatial simulation models to integrate data from multiple field-based monitoring studies in order to generalize results to larger watersheds. 0000007933 00000 n She has presented her work and research at places such as Blum & Poe Gallery, LACMA, Frieze LA, and SOMArts Cultural Center. Professor Jennifer Jacobs. That being said. 7L\:v~7Yma{f-]"+P n]eph&dk@KAn+l94#sPkJ\Weje*KP Wl". Chandra's research interests include automatic and adaptive compiler, programming language, virtual runtime, and operating system techniques that improve performance (for high-end systems) and that increase battery life (for mobile, resource-constrained devices). In 2010-11, he shared a Collaborative Research Fellowship from the American Council of Learned Societies with Cyrus Mody (Rice University) and Mara Mills (NYU) which will help support the writing of this book as well as a new project on "high tech intellectuals". Assistant Professor Opportunities for PhDs to work on world-class computer science research with faculty members. jennifer jacobs ucsb . and Ph.D. degrees in Computer Science from the University of California, San Diego (UCSD). His use of a computer as an algorithmic music tool dates from 1971. safeguard properties lawsuit 2017; syl johnson chad ochocinco father Professor ::dRUbN8(KAfjp-ip,.>J@ ,(KZT* ]/ 5CPb ti( 1NpqA PPw Ef} -F`Ivp5L1D0D1dLd7& From 2014-2015, she was a Robert Wood Johnson Foundation wellbeing research fellow at the Media Lab. She completed a masters of science in the High-Low Tech group and an . 0000132293 00000 n His studio in Beijing specializes in live music performance over highspeed networks. He is also the director of the MAT Systemics Lab, located in Elings Hall. Each department, from Product Development to Customer Care, devotes their exceptional talent and skills to ensure the highest standards are met. All rights reserved. Crerar 390, 5730 S. Ellis Ave., Chicago, IL, Assistant Professor, Media Arts & Technology and Computer Science. Expressive Computation Lab. Art, Electronic Theater or Performance Jury. At UCSB he functions as professor at MAT, the Music Department (as Corwin Endowed Chair and Head of Composition) and the College of Creative Studies. Despite this trend, computational and manual forms of creation are not mutually exclusive. Cc bi vit c nh du. Tobias Hollerer is Associate Professor of Computer Science at the University of California, Santa Barbara and Adjunct Professor in Media Arts and Technology. Professor Jeremy Jacobs Jeremy Jacobs. Department of CHEMICAL ENGINEERING Engineering II Building University of California, Santa Barbara Santa Barbara, CA 93106-5080. UC Santa Barbara - Electrical and Computer Engineering She is director of the Expressive Computation Laba group whoseresearchspanscomputational art and design, human computer interaction, and systems engineering. Major: Black Studies & Sociology. He has been working on the Makrolab, a project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007, the Interpolar Transnational Art Science Constellation during the International Polar Year (project 417) and is currently coordinating the Arctic Perspective Initiative art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres together with Matthew Biederman. We couldn't do it without you, our amazing faculty and staff members. His research and teaching focuses on the visual digital humanities, with a special interest in the epistemology and aesthetics of computer vision and machine learning. He initiated and in 1986 co-founded GIMIK: Initiative Music and Informatics Cologne and served as chair for thirteen years. H thng khng th thc hin thao tc ngay by gi. His doctoral research examined the culture and technology of glassmaking in Renaissance Venice. 1,160 following. Tobias holds a graduate degree in informatics from the Technical University of Berlin and MS and PhD degrees in computer science from Columbia University. Her work is in the permanent collection at the Los Angeles County Museum of Art. Trained in engineering and physics, he received the PhD in Electrical and Computer Engineering from McGill University, and MA and BA degrees in Physics from The University of Texas, Austin and Wesleyan University. Department of English. Media Arts and Technology, Computer Science, University of California, Santa Barbara She is also the founding co-editor of a new UC Press open-access journal, Media+Environment. Jevbratt also publishes texts on topics related to her work and research, for example in the anthology "Network Art - Practices and Positions" (Routledge). Publications | Pollock Research Group - UC Santa Barbara He edited the anthology Musical Signal Processing in 1997. MAT594X - sites.google.com He is a recipient of the National Science Foundation's CAREER award, for his work on "Anywhere Augmentation", which enables computer users to place annotations in 3D space wherever they go, employing the physical world as user interface. His textbook The Computer Music Tutorial (1996, The MIT Press) is widely adopted as a standard classroom text and has been published in French (1999, third edition 2016), Japanese (2001), and Chinese (2011). Her group has recently developed and released AppScale - an open-source platform-as-a-service cloud computing system that implements the Google App Engine (GAE) APIs and that facilitates next-generation cloud computing research. brennan boesch career earnings cameron boyce funeral cameron boyce funeral Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Media Arts and Technology, UC Santa Barbara To answer these questions, our current work focuses on Human-Computer Interaction (HCI), eXtended Reality (XR), and Human-Centered Artificial Intelligence (AI). Department of Film and Media Studies, 2018 Social Sciences and Media Studies Building. He holds a PhD from University of California, Santa Barbara, where he was a fellow of the Regents of the University of California, and a Diploma from the Institute for Applied Theater Studies in Gieen, Germany, where he was a student of composer and director Heiner Goebbels and a fellow of the German National Academic Foundation. Jennifer's research is situated within the context of teacher education. Office: ED 3243, Mathematics Verified email at ucsb.edu - Homepage. Faculty & Staff | UC Santa Barbara This collection of links will get you to a load of information and resources you may find helpful while you're here. Students will be assigned weekly readings drawn from Fine Art, Computer Graphics, Computational Design and Human Computer Interaction texts.Students are expected to complete the required readings and a reading reflection slide by Wednesday at 6pm, as well as engage in group discussions in class on Thursday.Students should also leave comments on at least 2 other reading reflection from their . [citation needed] Career. The culmination of her design is the AlloSphere Research Laboratory, a three-story metal sphere inside an echo-free cube, designed for immersive, interactive scientific and artistic investigation of multi-dimensional data sets. My particular expertise in this area is vision-based interfaces, using computer vision as an input modality: tracking, recognizing, and modeling people and their activity. jennifer jacobs ucsb My idea of a perfect meal: One that is shared with family, friends, or loved ones. Copyright 2023 The Regents of the University of California, All Rights Reserved. We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. He is the creator of Artsmesh, a macOS application for live networked music performance. Professor In this talk, I argue that by developing methods to integrate computational production with manual and physical making, we can dramatically expand the expressive potential of computers and broaden participation in computational production. of Chicago Press is Local Transcendence: Essays on Postmodern Historicism and the Database. In the same year, the founded the technology branch of Projekt Atol called PACT SYSTEMS where he developed one of the first Global Positioning Systems based participatory networked mapping projects, the Urban Colonisation and Orientation Gear 144. Rhetoric, UC Berkeley; MA English Language and Literature, University of Maryland). As primary investigator, she has received two research grants in 2020 and 2021 from the National Science Foundation Division of Information and Intelligent Systems in computational fabrication for manufacturing and commercial craft. Many of her rides had remained available until a class purge in August 2020 . Elliot W. Hawkes is an Assistant Professor of Mechanical Engineering at UCSB. The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. 1306 0 obj <> endobj xref 2020. From 2008-13, he held the position of Canada Research Chair in Telemedia Arts (University of Calgary). BEng, Systems Design Engineering, University of Waterloo, Canada. Leadership | UC Santa Barbara Alumni Jennifer JACOBS | University of California, Santa Barbara, CA | UCSB She was recently given the Creative Capital Award, the LACMA Art + Tech Lab Grant, the Steve Wilson Award from Leonardo, the International Society for Art, Sciences, and Technology, Carolyn Glasoe Bailey Foundation Art Prize, and the Craft Futures Grant from Center for Craft. "Computation shapes the way people make things," said Stanford Computer Science researcher Jennifer Jacobs to a crowded room in Elings Hall during a Media and Art Technology seminar last week. Google Scholar. UC Santa Barbara. Hy th li sau. Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Paris, France, April 2013. A new revised edition of The Computer Music Tutorial (MIT Press) is scheduled for publication in Spring 2023. 0000000856 00000 n Emily Jacobs | Psychological & Brain Sciences | UCSB University of California, Santa Barbara. 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